Sunday, 11 March 2018


The big aperture drop for the Willow Tea Rooms has been good experience for smaller projects.

I am in the process of helping to create an oval sink with a specific height, and dimensions at the top.  Rather than creating a custom mould, it was decided to do a free drop to the desired height with a flat bottom to the sink.

View from above of the slumped blank
An aperture in the desired shape was cut from a 25mm thick board and suspended on bricks at the correct height.  

The set up for the glass

It was set to fire and the person came in the evening to check on progress and advanced to the cooling when the desired amount of glass had touched down to the shelf.

Sink from the end
The flat excess glass was cut away with a tile saw. and then the polishing began.

trimmed and roughed edge

There is quite a bit more grinding to be done to get to the polish stage and then there will be the drilling of the drain for the plumbing fittings.  Only a few weeks until completion.

Friday, 2 March 2018

Willow Tea Rooms Baldacchino

Much of my time since December has been taken up with the planning, testing and execution of a baldaccnino for the Mackintosh Willow Tea Rooms restoration.
I don't know whether Mackintosh called the structure a baldacchino or not, but that is how it seems to be referred to by the restoration people.
Traditionally a baldacchino is an architectural structure over the altar of a church.  Here it is placed over the entrance from the anti-chamber to the tea room proper as shown  from the upper gallery in this indistinct photograph. 

My part in this has been to develop the glass bowl forming the structure for the flower arrangements that you see supported by a column and a surrounding metal structure.
The original remit was to make an inverse dome 800mm in diameter with a 400mm depth.  In fact, half a sphere.  The glass would need to be at least 8mm thick. This is too heavy to blow, so a kilnforming method was looked toward.  
It would be possible to construct a metal mould to slump the glass into. (ceramic would be too heavy and even more costly).  This was rejected as being too costly and possibly subject to breakage due to the steep sides.
I indicated to the lead artist on the project that a free drop could provide a good approximation to the original without the markings from a mould. After discussion I was commissioned to make a prototype or example of what could be done with a free drop in a large gas kiln.  I am fortunate to work in a studio complex that contains a large ceramic studio that has a gas kiln of a bit more than a cubic metre interior.

The test involved cutting an 800mm circle from a metre square fibre board of 25mm thickness.  The 1000mm diameter disc of 10mm glass was centred over this aperture in the gas kiln.

Test 1 from the top
This shows the result of the first test including the supporting structure within the kiln.

Test 1 from the bottom
This proof of concept was accepted by the trust, but with a request for a deeper form.

For the second test I used 12mm glass, now realising where it was to be located and that, as it was to be deeper, to avoid excessive thining as the glass dropped.
Test 2 from the top
Initially this looked to be really good.  The depth was 340mm, much closer to what was envisaged by the Trust representatives.  (We did have a two-person film crew watch us take out the second test and put in the third, requiring some planning of what we were going to do for the benefit of the filming).  
Test 2 from the left
But looking from underneath, it became apparent that it was not symmetrical.
Test 2 from the right
A bit of head scratching and testing showed two things.  
As we were only able to use one of the two gas burners, the glass was moving toward that heat. We alleviated the unsymmetrical shape by adding baffles.  
The other thing showed by the tests for uneven firing was that we could not provide a sphere at the original depth specified. The weight of the glass pulled the whole into a parabolic shape, even though it was symmetrical.
Further discussions and investigations of the photographic evidence returned the decision that spherical was the shape required and we should try for the deepest we could get and still have a spherical shape.

Subsequent testing provided two acceptable shapes of 235mm deep.
comparisons of tests.
This image shows the first test in the middle, the second deeper at the back and at the front, the approved shape.

When we had two pieces (one to be spare for any future breakage) the other people involved came to do mock ups, take templates of the curves and generally discuss next stages.
mock up of the plate to hold the flower containers

mock up from the side
Soon we will be taking these to Stornoway to apply oil industry machinery to cut the rim from the shape.  When the polishing of that cutting is done, we will be travelling to Norfolk to apply marine technology to the glass, using chemical toughening.

These will be well traveled pieces of glass when complete. Only a few months to go.

To learn more about the restoration of the Willow Tea Rooms, go to

Monday, 11 December 2017

Methodist Church, Kilsyth

Some time ago, the Methodist Church in Kilsyth asked me to evaluate a circular window from their old church.

The congregation had decided that they needed to sell the too-large, too-drafty church building so they could build a new one more suited to their purposes.  They now wanted to make use of the glass they had been able to preserve from the original building.

We went through several possibilities ranging from refurbishing the round window and placing it on the wall; the use of the three colours to create a cross-like design in each of three windows on the uphill side of the new building and such like.  Each was an attempt to keep the costs as low as possible.

Further discussion within the congregation and between the property committee and me led to a more ambitious project.  It became clear that one of the objectives of the new building was to be open to the community in a variety of ways.  They also wanted the Methodist Church in Scotland symbol represented and, of course, the cross.  From the discussions, I suggested one of the windows should represent an open door.  I presented some sketches of how the existing glass could be used and combined with new glass to achieve the results.

The congregation considered these and came up with a modified set of images which I worked on.  These modifications were agreed, and I began building the panels for installation against the existing double-glazed windows.

Installation was not difficult, as the windows are not high in the walls.

The congregation is pleased with the result and so am I.

The complete installation

The image in the central window, using streaky glass for the colour and the existing glass for the background.

The right window image using flashed and acid etched blue and red glass. Streaky and original glass form the background.

The open door image in the left window using streaky, painted and stained glass together with the original glass.